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Guest Posts Knitalong Knitting

Styling your knits: An exercise with Hannah Fettig

July 8, 2015

The Home and Away Woolful Knit-a-long is off to a radiant start, and you can still join if you’ve been hoping to! It’s been so great to see all the beautiful images on Instagram (via #woolfulkal) and shares on the Ravelry group. I’ve been super anxious to cast on, but alas it will have to wait until this weekend when I have the yarn and a moment to swatch. In the meantime, Hannah has some great tips on styling and choosing the right yarn…

My wardrobe is pretty minimal. This is partly from necessity, as we’ve always lived in old New England homes with very small closets. But in reality even if I own 20 shirts, I only truly wear 4 of them in high rotation. Is this the case for you, too? Go to your closet and set these much loved and worn pieces aside. Arrange them into outfits, top to bottom. Do you notice any patterns? For instance, is there a lot of the same color showing up? Are they all the same fabric or cut? Now, with these outfits in mind, you can start making your pattern selection. Which design from Home & Away will best work with the outfits you’ve put together, the outfits your wear most often?

Once you’ve selected a design, it’s time to choose a yarn and a color. For myself, it really helps to make yarn selections in person. Hopefully you have a local yarn shop that you can go to. If you don’t and will be ordering online, Ravelry can be very helpful. You can look up a particular yarn and then choose to see all the projects that have been posted on Ravelry in that yarn. This gives you a chance to see what the yarn and various colors look like knit up into garments.

When substituting yarn for the ones used in the book, keep in mind the fiber content of the original yarn. It’s listed in each pattern. The majority of designs in Home & Away are knit in 100% wool. Quince & Co. yarns are quite light and airy, squishy, sproingy (if that’s a word, ha!) When considering a substitute yarn that includes a blend of other types of fiber, or is perhaps a denser wool yarn, think about what the finished knit fabric will be like as a result. If you’re not sure, you can ask your local yarn shop owner or ask the community in the Woolful KAL Ravelry group. Clara Parkes Book of Yarn is a very helpful resource on understanding fiber in yarn, too.

Every design in Home & Away is something I would personally wear. And I styled the outfits, so that’s how I would wear them! However, these garments could be styled in many ways. I look forward to seeing how you all incorporate them into your wardrobes. Get knitting!!

*Next up, some sneak peeks of the giveaways for the knit-a-long.

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Guest Posts

Guest Post: The Gift of Lambing

March 26, 2015

This is the first in a new series on the blog, featuring posts from past Woolful podcast guests, giving a bit of a deeper look into what they do, wisdom they have to share and stories they have to tell.

I’m thrilled that Kim Goodling of VT Grand View Farm is here to share a bit of her lambing journey at her farm in Vermont, where she raises Gotland and Romney sheep. Thank you Kim! 


Keeping Watch

The ewes grow round and full with lambs and the wait begins. I have cleaned the barn, set up the lambing pen, and restocked my lambing kit. I now watch for signs of labor, spending much time bent over, looking at the back side of my ewes. Swollen udders and sunken bellies signal that a ewe will soon deliver her lambs.  Night watch will begin soon, as we near the first due date marked on our calendar, March 28.

Walk…Relax…Stay Nourished…Breathe Naturally…Make Your Nest and Push…

For ten years, I taught natural childbirth classes. I worked with couples, teaching them how to labor. We spent time practicing deep abdominal breathing and focusing on our bodies and how they work during labor. Every week we watched videos of natural births and talked about what we saw and our anxieties and fears. We became a support network for one another. Through the miracle of life, I saw grown men cry and women become empowered by the ability to take control over their birth experiences. I saw amazing new lives unfold before my eyes time and time again.

Although I no longer teach childbirth classes, I am blessed to have this rhythm of keeping watch over new life on our farm. With each season, I am reminded of the shear miracle of birth. With each delivery, I stand in awe of the process.

A laboring ewe is the perfect picture of natural childbirth, working with her body to bring the lamb into the world. A healthy ewe will labor and deliver her lambs completely on her own. She will stay on her feet throughout labor, eating hay, and chewing her cud. Every now and then, as a contraction begins, the ewe stands still, closing her eyes and breathing deeply. Once the contraction passes, she goes back to walking and eating to keep herself nourished. As the ewe’s contractions become more frequent, she quits eating, as she must focus her attention on each contraction. Ewes may squat or sway with each contraction, helping to get the lamb in the correct position. Once the ewe begins to push, she paws at the ground, as though making her nest. Laying down, she works hard during the pushing contractions. Often the ewe will nicker to her lamb as if to encourage him along the way. The lamb enters the world with front feet and nose first, slipping easily from the warmth of the womb into the still of the barn. The ewe speaks to her lamb in soft nickers as she cleans and nuzzles him.

Of all the jobs I have ever had, teaching my natural childbirth classes was one of the most rewarding. Now, I am blessed to continue to see God’s amazing gift of birth and life right here on my own farm, in my own barn, every lambing season.

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Labor (1)

Bonnie and Idris

 

Guest Posts Knitting

Guest Post: Grand Shetland adventure

October 8, 2014

I am really excited to share a very special post today, written by two of my favorites, Lori Graham and Kathy Cadigan. They recently traveled to Shetland together on a “Grand Shetland Adventure” and in honor of Wool Week, they are here to share their wool inspired journey with you. I hope you enjoy getting to know these incredibly talented women a little better.


To start off, I’d love it if you’d share a little about yourselves.

L: thank you ashley! i’ve loved getting to know you and coltrane on the blog and instagram and feel honored to be sharing here with you. hmm…a little about me…i love so many things. i have 5 children, 2 daughters and 3 sons. (all grown and gone now). i’ve been knitting for most of my life. my swedish grandmother taught me at age 5-6. growing up in southern california at the beach was not about wool though, it was sand and saltwater and surfing. and then photography. at age 14 my dad gave me my first slr, a canon ae1. he built a darkroom for me, where lots of mistakes were made, but inspiration and a lifelong passion for photography/film remained. a year later, our family took a 3 month long road trip around the usa. we visited every state + canada. i was appointed trip documenter. my parents gave me film and a journal, instilling another passion for life, trip journaling. in high school knitting began again. since my first baby till now, hardly a day goes by where a little knitting doesn’t happen.

K: Ashley, this is such a treat. It’s been inspiring following your journey from Apple, to motherhood, to being on the verge of your own fiber mill! Thanks for letting Lori and I re-live our Shetland adventures a wee bit!

I grew up in Southern California, met my Seattlelite husband at university, moved up to Seattle after we were married. We have three teenagers.

I first picked up knitting right around the time the craft was seeing its popular revival along with the advent of Ravelry. Photography followed soon after. I’m mostly self-taught but in 2011, I spent five intense days in workshop with Jay Maisel at his studio in New York. It was very intimidating because my experience was very limited and Jay is known for his uniquely illuminating (sometimes brutal) constructive criticism of student work. It was one of the hardest, scariest things I’ve ever done but I came away greatly encouraged because he really liked one of my knitwear photos… 😛 One that I posted on Ravelry! I think of that experience as sort of a personal break-through; it gave me a focus for my photographic pursuits.

My big knitting break-through came the following year with Mary Jane Mucklestone when I finally learned stranded knitting! Hooray!

 

Tell us about how you both met, and how it came to be for you to go on this trip?

L: kathy and i met on the royal mile in edinburgh! she’s tall and gorgeous, so although it was the height of summer and the street was crowded, it was easy to spot her. we, along with paula butzi, had drinks together at an outdoor cafe. the next day we met again at edinburgh airport to fly to shetland together. prior to meeting in europe we’d shared emails only, so it was really fun to finally meet in person.

i knew we’d get along great when we kept laughing at the same things. on the way to shetland i was seated next to a kind, but inebriated gentleman. he was quite gregarious and i did my best to be polite and ignore him. a few seats behind me kathy giggled. when we unboarded we both laughed our heads off about the funny situation.

one morning in december (2013) i woke to an email from nicole dupuis (coco knits). she said, i know it’s last minute, but there is this trip…hearing gudrun, maryjane, nicole, kathy and shetland in the same sentence was all i needed to know. with christmas only 2 weeks away, i told my husband what i would love for a gift!

K: I came to reading Lori’s blog shortly after we met virtually on Instagram. Like the rest of her readers, I was blown away by depth, breadth, and beauty of her craft, photographic, and travel endeavors! I secretly hoped meeting her in person would cause some of that to rub off on me. She’s a quintessential California beauty (flip flops in Shetland too) and maybe my growing up in SoCal caused me to feel overly familiar with Lori? At any rate, she instantly brought out my silly side and it felt more like a reunion in Shetland than a first meeting!

I first began pining for Shetland last year when I saw Gudrun’s Instagram feed. I put my name on a list to be notified for a possible tour. I first met Gudrun (and Mary Jane) in 2012 on a Knitting Iceland Tour and we’d seen each other a couple of times in between when their travels brought them to Seattle. Hearing back from Gudrun about the trip and being asked to photograph her knitwear collection for The Shetland Trader Book Two was a dream come true! I’ve admired Gudrun’s work since before Shetland Trader One. Having the opportunity to travel to the source of her inspiration was very special. The book shoot happened the week after the tour.

 

Was this your first time to Shetland? What was the weather like while you were there?

L: yes, the first time, although shetland had been on the radar, i’ve ordered from jamieson & smith for years and looked at their dreamy website. my husband and i also follow simon king, a filmmaker for the bbc, who shoots documentaries primarily in east africa. he had also done a series on shetland called ‘shetland diaries’. i love his films and book! shetland combined the best of everything i love, nature, wildlife, the ocean, and wool.

europe was in the midst of a heat wave the summer of our trip to the edge of the world, and we caught the end of it. on arrival in shetland it was so warm, several of us donned our swimsuits and jumped in the atlantic ocean. (not kathy, she is a big baby i would later learn) 😉 happily, the weather turned and we were able to wear our woollies!

K: Yes, my first time and yes, I am a baby. I love my sleep! Zzzzzz… I happened to be napping when Lori and the group were taking their dip in the azure blue waters of Burrastow. And I might have been napping when the group went out on the boat with Gudrun’s dad to see the sea lions and birds. Truth be told, I’m prone to horrible seasickness and I was still a bit jet-lagged when the boat tour came around so I opted for the Zzzzzz’s. I learned later that while I was napping after arriving in Edinburgh, Lori had gone out and done like twenty things in the same space of time: a couple of castle tours, museum tours, Robert Louis Stevenson’s house, whiskey tasting and more… if you don’t believe me see her blog post!

 

What were some of your thoughts as you drove through the countrysides and toured the different areas?

L: wondering how i would convince my husband to move here 🙂 also…wishing to stop for photos, because every view is picturesque, the landscapes spectacular. and every village a place to discover. one of our workshops with maryjane mucklestone also encouraged us to look to our surroundings for colorwork inspiration.

K: I kept thinking how lucky we are to be knitters. I’m preaching to choir, I know! 😉 But it’s true that our love for fiber, textiles, and hand craft really transform Shetland’s landscape into something magical that non-knitters (muggles?) maybe can’t see. Every physical thing whether it be a rock, plant, animal, stone croft house, the sky, the water… translates itself into a color pattern, a woolly texture, a knitted motif. When muggles see sheep they think, “Oh cute,” or possibly, “I’m hungry.” Of course when knitters see sheep, we see endless possiblities! (I say this without condescension because I was once a muggle, myself.)

 

Were there any parts of the trip that impacted the way you see fiber or knitting now?

L: every knitter, especially a colorwork knitter needs to experience shetland knitting. and lace knitting, shetland lace is incomparable. it is humbling.

K: I was intrigued to learn from Hazel Tindall’s lecture that not all Shetlander’s have a fond association with it’s wool tradition. Her mother for instance and many like her, had to knit for a meager income during tough economic times. The work was arduous and brought little joy atop all the other work that had to be done to ensure the family’s survival.

In light of that, it’s amazing to witness the effort that Shetland’s historical organizations have since taken in preserving and educating the public about the old textile traditions. We also had a chance to meet a number of contemporary textile designers and artists who take pride in bringing those influences to their work for future generations to reflect upon.

 

Lori, you brought a couple special things with you to Shetland, can you tell us a little about those?

journaling while in shetland was tricky, unlike any trip i’d taken. there were 14 of us, talking, hiking, knitting, sightseeing, instagraming… we were busy! i like to write ‘in the moment’ hoping to capture emotion as close to when it’s happening. carrying the book everywhere with me also helps to include others i meet along the way. hazell tindall signed it, and a small boy named rowan, who lived on the organic farm we visited, drew a lovely piece of art in the book. a small hiking flower press comes along as well, ensuring intact flowers back at home (ready to press in the book). i also carry a very small portable printer that makes 2×3 photo print stickers. perfect for personalizing the journal. it was more difficult, but not impossible to settle into a bit of a routine and keep up to date while on the trip. every evening an hour before dinner i’d stay in my room, have a glass of wine and write.

 

Kathy, you’re an incredible photographer. What stood out to you the most on this trip from a visual storytelling point of view?

Oh gosh, thank you. To be honest, I was overwhelmed. The landscape is extraordinary as you know. There were are many things macro and micro that were new to me. I almost didn’t know how to approach it. I think Lori was able to do a much better job of seeing her surroundings and documenting the moment in her beautiful way. It’s one of the things I learned from being around her, she’s good at being in the moment.

I read once that David Hockney sketches every single plant, weed, leaf, pile of rocks, piece of debri, in the scene he wants to paint. Only after making an exhaustive catalog of everything that exists within the scene does he then paint the scene as a whole. Maybe it’s just my excuse to go back, but I didn’t have time on this trip to consider everything in the amazing scenes that were presented to us! I want to go back to do this!

 

What knitting projects did you both work on while in Shetland?

L: i didn’t knit! i don’t think kathy did either! on the way to scotland, i made norie, a hat by gudrun. finishing it in my bed & breakfast while still alone in edinburgh. but on shetland, while driving around the island, there was too much to see. and back at burrastow, too much to explore. in the rare sitting moments i did some sashiko needlework. i would have liked another week to just sit and enjoy the spectacular house we stayed at, and knit.

K: Lori’s right. The only thing I knitted the whole trip were the color work mitts we did for Mary Jane’s class… and I didn’t finish those! (me either!)

 

Did you pick up any new skills, tips/tricks or fiber information you didn’t know prior to the trip?

L: i think we all learned many new things! i learned that machine knitting has an important role in shetland, the sweater body is often knit on a machine while the yoke is hand knit. i learned the importance color plays in fair isle, and a bit about value. from one of the girls in our group i learned the drop spindle and turkish spindle.

K: This may sound lame, but I didn’t know what a sock blank was until we took Neila Nels dyeing class!

 

Was there anything you weren’t able to do or visit that you had hoped to while on the trip?

L: yes always, every trip! i would have loved to visit one of the stevensons lighthouses, and the outer islands. i really hoped to see mousa broch and the storm petrels on mousa, a spectacular wildlife phenomenon that only happens for a brief few weeks in august. i missed the boat by one week.

K: I still marvel at the amount of sights we saw and experiences we had in a relatively short trip!

 

For those who’ve never been to Shetland or are considering going, what wisdom might you have for them?

L: i think it’s always a very good thing to learn as much as you can about a place before you go. research, to know what you’d like to see and do (and buy) jamieson & smith will ship for a reasonable price. bring layers to wear and if you have room, wellies (or you can buy a pair there). an eyemask is invaluable as the sun sets near midnight in summer and rises again a little after 3am. and have a plan b, although i didn’t experience travel delays, many in our group did. shetland is remote and truly at the edge of the world. my inebriated seatmate on the flight over, from edinburgh to sumburgh was a local from lerwick (shetland). he jovially told me, if the fog sabotaged us we’d be diverted to norway. and he said, norway was pretty nice!

K: I’m going to post a pic of the outlet converter you’ll need if you go to Shetland— since I brought the wrong one! And traveling to other parts of Europe made me assume that I would need Euros but British pounds are actually the currency of choice for all those woolly purchases!

shetland map kathy cadigan

shetland countryside kathy cadigan

shetland lori graham

shetland adventure lori graham

shetland lori graham

shetland kathy cadigan

shetland kathy cadigan lori graham

shetland lori graham kathy cadigan

shetland lori graham

shetland kathy cadigan

shetland kathy cadigan

shetland lori graham

shetland lori graham

shetland lori graham kathy cadigan

shetland lori graham kathy cadigan

shetland wool kathy cadigan

shetland nicole dupuis cocoknits

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 Photos taken by Lori Graham and Kathy Cadigan